Ill w b/w stills. With the likely disappearance of celluloid film stock as a medium, and the emergence of new media competing for an audience, what will happen to cinema - and to cinema studies? In the first of two books exploring this question, D N Rodowick considers the fate of film and its role in the aesthetics and culture of moviemaking and viewing in the twenty-first century.

Underlinings and margin comments w lead pencil.